RubricNone in D, H1. C: Dictamen. Vel lugubre carmen terribilissimi mortis. (Letter. A very grievous song of most frightful death.)back to note source
1hostesse. So C. D, H1: costes. We have chosen hostesse since it is an existing manuscript reading that fits in with the trope of female addressees found elsewhere in contemporary death poetry.back to note source
2And in youre book to set myn ymage. In Douce 322 and Harley 1706 (fol. 19v in both), the poem is immediately preceded by an inkdrawn image of a skeleton holding a bell and spear (see Explanatory Note to line 7 and Headnote to the Explanatory Notes) with the words “deth” written in profusion around the skeleton’s form, evoking the pealing of the bell as well as naming the figure.back to note source
3with gret avyses. So D, H1. C: by gret avisenesse.back to note source
4mortall. So D, H1. C: my mortal.back to note source
5to spare. So D. H1: spare.back to note source
nether. So D, H1. C: neither.back to note source
ne. So D. C: ner.back to note source
7Afore. So D, H1. C: Aforn.back to note source
8ygrounde. So D. H1: sharpe I grounde. C: whet and grounde.back to note source
9thys. So D, H1. C: thus.back to note source
10withstande. So D, H1. C: withstonde.back to note source
11Ne whomme I merke. So D, H1. C: Nor whan I marke.back to note source
other. So D, H1. C: othir.back to note source
12of day oure ne space. So D, H1. C: a day houre or space.back to note source
14Yef. So D, H1. C: Though.back to note source
15past. So D, H1. C: passed.back to note source
16lasteth but. So D, H1. C: lastyng.back to note source
17ey. So D. H1: eye. C: yhe.back to note source
18blossom falleth. So D, H1. C: blosmes falle.back to note source
20elde unwarly crepyng. So D, H1. C: age unwardly in crepyng.back to note source
21purely thanne. So D, H1. C: pouerly you.back to note source
22The gospell byddeth than wake and prey. So D. H1: The gospel than wake and pray. C: The gospel bit you for to wake and prey.back to note source
24Ne no manne knoweth whenne. So D, H1. C: Nor no man wote the houre whan.back to note source
dye. So D, H1. C: dey.back to note source
26kynde. So D, H1. C: kynge.back to note source
knot unknyt. So D, H1. C: knot upknet. These readings point to opposite understandings of the relationship between death and creation. C emphasizes how tightly bound death is with the very idea of life, while D and H1 instead speak to the theme, seen in other death-related works of this period, of death loosening all bonds. Compare the acrostic in “A Mirror for Young Ladies at their Toilet” (DIMEV 3454), spelling out MORS SOLVIT OMNIA (“death loosens all”).back to note source
27every. So D, H1. C: eche.back to note source
28For. So D, H1. C: Fro.back to note source
Adams. So D, H1. C: Adames.back to note source
RubricThyese balades that . . . tyme to come. So D, H1. Not in C. This omission is especially interesting since all three manuscripts then continue with an extract from Henry Suso’s Seven Points of True Love and Everlasting Wisdom, entitled “Orologium Sapientie,” suggesting some textual relationship between their contents, despite the differences in their presentation.back to note source
29worldely. So D, H1. C: wordly.back to note source
31be. So D, H1. C: bene.back to note source
33breke. So D, C. H1: breken.back to note source
preceptys. So H1. D: preceprt; C: preceptes.back to note source
ayenst. So D, H1. C: ageyn.back to note source
35he dyed. So D, H1. C: he shedde it.back to note source
36hate. So D, H1. C: hateth.back to note source
37offens. So D, H1. C: offences.back to note source
38mokry. So D. H1: mokey; C: mockery.back to note source
39Ayenst. So D, H1. C: ageyn.back to note source
do. So D, H1. C: doth.back to note source
40for to have. So D, H1. C: to have.back to note source
souveranly. So D, H1. C: soffevenly.back to note source
42exampeleré. So D, H1. C: exemplary.back to note source
43redempcioun. So D, H1. C: redempcion.back to note source
44nayled to. So D, H1. C: nayled on.back to note source
45Suffred. So H1, C. D: suffird.back to note source
passioun. So D, H1. C: cruel passyon.back to note source
46asketh. So D, H1. C: axed.back to note source
47ayenward. So D, H1. C: ageyn.back to note source
48 that we sette. So D, C. H1: we sette.back to note source
all holy. So D, C. H1: alonly.back to note source
52entré. So D, H1. C: entre ageyn.back to note source
53From. So D, H1. C: For.back to note source
55so brynge. So D. H1: brynge. C: do bryng.back to note source
56by thy dethe had. So D, H1. C: by dethe haddest.back to note source
Amen. So D, H1. Absent in C.back to note source